Sign in

..心灵奇旅 完整版小鴨 — 線上看(“2020”)-[4k-HD]

心灵奇旅完整版 ►【2020】◄ || 在线观看和下载完整电影
皮克斯大作「Soul/心灵奇旅」最新中字…-电影-完整版视频在线
𝐛𝐚𝐢𝐝𝐮 𝐬𝐨𝐮𝐫𝐜𝐞 | 𝐦𝐞𝐝𝐢𝐚𝐟𝐢𝐫𝐞 | 𝐨𝐩𝐞𝐧𝐥𝐨𝐚𝐝 | 𝐝𝐚𝐢𝐥𝐲𝐦𝐨𝐭𝐢𝐨𝐧 | 𝐛𝐢𝐥𝐢𝐛𝐢𝐥𝐢

Soul导演: 彼特·道格特 / 坎普·鲍尔斯
编剧: 彼特·道格特 / 麦克·琼斯 / 坎普·鲍尔斯
主演: 杰米·福克斯 / 蒂娜·菲 / 约翰·拉岑贝格 / 戴维德·迪格斯 / 菲利西亚·拉斯海德 / 更多…
类型: 科幻 / 动画 / 音乐 / 冒险
官方网站: https://t.co/xhfRFU0jk9?soul
制片国家/地区: 美国
语言: 英语
上映日期: 2020–12–25(中国大陆/美国网络) / 2020–10–11(伦敦电影节)
片长: 100分钟
又名: 灵魂奇遇记(港) / 灵魂急转弯(台) / 灵魂 / 心灵
IMDb链接: tt2948372

心灵奇旅的剧情简介 · · · · · ·
主角Gardner是一个生活很容易看穿的中学音乐老师,而他真正的梦想是弹钢琴 — — 不是像他现在做的一样只教孩子们弹钢琴,而是以做音乐、做爵士乐来谋生。当他终于拿到人生第一份音乐人的工作,却不小心掉进了下水道“死”了,并在一个黑洞中醒来,成为了一个孤独的灵魂。
不久,它发现自己不是独自一魂,而是到了YOU研讨会,另一个外号叫22的灵魂已经参加了研讨会数百年,它极度憎恨人类,一直未去附体。很快的,Gardner和22一起回到现实世界,在那里,Gardner将学会“有了灵魂”真正的含义。

心灵奇旅 线上看
心灵奇旅 在线
心灵奇旅 下载
心灵奇旅 林俊杰
心灵奇旅电影
心灵奇旅状态:高清别名:Soul/灵魂奇遇记(港)/灵魂急转弯(台)/灵魂/心灵类型:冒险 动画 音乐 科幻主演:杰米·福克斯 蒂娜·菲 约翰·拉岑贝格 戴维德·迪格斯 菲利西亚·拉斯海德 阿米尔-哈利卜·汤普森导演:彼特·道格特 坎普·鲍尔斯上映时间:2020–11–20时长:120分钟语言/字幕:英语国家/地区:美国更新时间:2020–11–26 14:19:02影视/评论:当前有0条评论,
简介:主角Gardner是一个生活很容易看穿的中学音乐老师,而他真正的梦想是弹钢琴 — — 不是像他现在做的一样只教孩子们弹钢琴,而是以做音乐、做爵士乐来谋生。当他终于拿到人生第一份音乐人的工作,却不小心掉进了下水道“死”了,并在一个黑洞中醒来,成为了一个孤独的灵魂。 不久,它发现自己不是独自一魂,而是到了YOU研讨会,另一个外号叫22的灵魂已经参加了研讨会数百年,它极度憎恨人类,一直未去附体。很快的,Gardner和22一起回到现实世界,在那里,Gardner将学会“有了灵魂”真正的含义。

最新电影,灵魂急转弯 好看的电影,高清影院为您提供最新、灵魂急转弯 最全、最流畅的在线电影免费观看,看最新电影、好看的电影就上电影网。
灵魂急转弯 电影频道拥有大量高清在线电影资源,热门高清电影、好评电影、灵魂急转弯 电影预告在线观看。包含国产电影、韩国电影、日本电影…

靈魂奇遇記 上映
靈魂奇遇記 2020上映,
靈魂奇遇記 線上看小鴨
靈魂奇遇記 HD線上看
靈魂奇遇記 online
靈魂奇遇記 延期
Soul 線上看|2020上映|完整版小鴨|線上看小鴨|
灵魂急转弯 香港上映
灵魂急转弯 在线播放
灵魂急转弯 上映
Soul 線上看| 2020最新電影| 小鴨影音|
灵魂急转弯 上映时间
灵魂急转弯 完整版本 medium
灵魂急转弯 百度云
灵魂急转弯 延期
灵魂急转弯 上映
靈魂奇遇記 線上看下載
灵魂急转弯 剧透
靈魂奇遇記 BD
靈魂奇遇記 download HD
Soul (電影,2020)線上看
靈魂奇遇記 bt
靈魂奇遇記 电影完整版
神奇女俠1984小鴨
靈魂奇遇記 netflix
靈魂奇遇記 小鴨
靈魂奇遇記 劇透
神奇女俠 1984
靈魂奇遇記 2020 下載
神奇女俠 (Soul)
靈魂奇遇記 線上看|2020上映|完整版小鴨|線上看小鴨|
神奇女俠2小鴨
靈魂奇遇記 full movie
靈魂奇遇記 Singapore
心灵奇旅 上映
心灵奇旅 小鴨
Soul 線上看電影(2020)
神奇女俠 2020
靈魂奇遇記線上看
靈魂奇遇記香港
靈魂奇遇記小鴨
靈魂奇遇記 配音
靈魂奇遇記 上映
靈魂奇遇記 鄭中基
靈魂奇遇記 線上
靈魂奇遇記 soul
靈魂奇遇記 香港
靈魂奇遇記 線上看
靈魂奇遇記 小鴨
soul 靈魂奇遇記 線上看
神奇女俠 bt
靈魂奇遇記 線上看完整版
靈魂奇遇記 線上看完整版小鴨
心灵奇旅 HK Movie
靈魂奇遇記(2020)完整版本
靈魂奇遇記|1080P|完整版本
靈魂奇遇記 線上看(2020)完整版
心灵奇旅 Gimy
靈魂奇遇記 線上看(2020)完整版HD1080P
《靈魂奇遇記》 線上看電影臺灣
靈魂奇遇記 (電影)2020 線上看 年再次觀看電影
Soul 線上看
Soul 线上看(2020)線上看完整版本
靈魂奇遇記 線上看小鴨
Soul 線上看2020上映完整版小鴨線上看小鴨
Soul 線上看(2020)完整版
Soul 香港線上看(2020)上映
Soul 在线(2020)线上看1080p
看 Soul 線上看小鴨
Soul 線上看小鴨影音
Soul 完整版本
看 Soul 線上看完整版小鴨
看 Soul 線上看下載
看 Soul 台灣上映日期
看 Soul 加拿大線上看 HD 1080p
In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross.
The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets.
Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms.
Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee.
The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue.
An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes.
In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife.
The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history).
Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions.
Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income.
In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney).
Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable.
Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message.
Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. …